CREDITS:
小野 洋子 born February 18, 1933 is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking
2. Yoko Ono with Half-A-Room 1967. Photo © Clay Perry
3. Yoko Ono with Glass Hammer 1967. Photo © Clay Perry / Artwork © Yoko Ono
4. Yoko Ono with her Painting to See in the Dark (Version 1), 1961.Photo © George Maciunas
8. Yoko Ono performs Cut Piece 1964. Photo © Minoru
All other photos by CNTRFLD.ART
Illustration by Maria Chen, Inspired by original photo Bob Gruen. Yoko Ono, NYC, 1973.
Yoko Ono: Music of the Mind, Celebrating Seven Decades of Avant-Garde Artistry and Influence at Tate Modern
“Yoko Ono – Music of the Mind” is a major retrospective at London’s Tate Modern, celebrating Ono's extensive and diverse artistic career. CNTRFLD.ART’s contributing editor Paul Davies delves into the profound influence of Yoko Ono as a trailblazing female Asian leader in the global arts scene. Davies underscores Ono's pivotal role in avant-garde art, her early contributions that predate her association with John Lennon, and her lasting impact on music and fashion. Through her innovative spirit and humanitarian efforts, Ono has continually challenged conventions, inspiring creatives like Rei Kawakubo and Martin Margiela. “Music of the Mind” reaffirms her status as a multi-disciplinary visionary whose legacy endures in contemporary culture.
During the noughties, Interview magazine’s Glenn O’Brien asked Andy Warhol’s personal assistant, Benjamin Liu, ‘what did Andy learn from you?’ Liu’s response was characteristically outward looking – “Not all Asians are like Yoko Ono.”
Now in her early 90s and only recently withdrawn from public life, Ono is again enjoying renewed interest with a major retrospective currently showing in London’s Tate Modern. It covers seven decades of her extensive output and really punctuates her credentials as a multi-disciplinary creative figure.
To the casual observer, Yoko Ono was John Lennon’s wife – in fact, her third and final marriage – who formed the Plastic Ono band around the time that The Beatles were disbanding. Indeed, she was harshly criticised for being instrumental in their demise.
In reality, she had already built a significant career ten years prior to their meeting in 1966 as an artist influenced by the Dada movement. Long before Warhol’s seminal Factory, Ono was hosting creative events with avant-garde composer, LaMonte Young. Arts cognoscenti such as Peggy Guggenheim and Marcel Duchamp attended. Ono is closely linked with the Fluxus group – and was invited to join – but her ambitions for independence resulted in her declining.
After their infamous ‘Bed-in’ where Ono and Lennon celebrated their marriage by staging a week-long peace protest in the Amsterdam Hilton, Ono’s humanitarian interests came to the fore of public awareness.
Ono continues to be a source of inspiration and fascination in several creative fields. Music, in particular. At the Paradise Garage, one song, “Walking on Thin Ice” – her final recording with Lennon before he was murdered – took on cult status during the mid-80s. DJ and producer Danny Tenaglia recalls the time he remixed the track and Ono appeared at his club to sing over his mix.
Similarly, it doesn’t seem too much of a stretch to suggest that Ono’s work, with its emphasis on questioning conventions would have influenced fashion designers such as Rei Kawakubo and Martin Margiela. Both forged their early careers from challenging the norms.
Yoko Ono – Music of the Mind is at Tate Modern, London until 1st September.
Paul Davies for CNTRFLD.ART
Yoko Ono: Music of the Mind, Celebrating Seven Decades of Avant-Garde Artistry and Influence at Tate Modern
“Yoko Ono – Music of the Mind” is a major retrospective at London’s Tate Modern, celebrating Ono's extensive and diverse artistic career. CNTRFLD.ART’s contributing editor Paul Davies delves into the profound influence of Yoko Ono as a trailblazing female Asian leader in the global arts scene. Davies underscores Ono's pivotal role in avant-garde art, her early contributions that predate her association with John Lennon, and her lasting impact on music and fashion. Through her innovative spirit and humanitarian efforts, Ono has continually challenged conventions, inspiring creatives like Rei Kawakubo and Martin Margiela. “Music of the Mind” reaffirms her status as a multi-disciplinary visionary whose legacy endures in contemporary culture.
During the noughties, Interview magazine’s Glenn O’Brien asked Andy Warhol’s personal assistant, Benjamin Liu, ‘what did Andy learn from you?’ Liu’s response was characteristically outward looking – “Not all Asians are like Yoko Ono.”
Now in her early 90s and only recently withdrawn from public life, Ono is again enjoying renewed interest with a major retrospective currently showing in London’s Tate Modern. It covers seven decades of her extensive output and really punctuates her credentials as a multi-disciplinary creative figure.
To the casual observer, Yoko Ono was John Lennon’s wife – in fact, her third and final marriage – who formed the Plastic Ono band around the time that The Beatles were disbanding. Indeed, she was harshly criticised for being instrumental in their demise.
In reality, she had already built a significant career ten years prior to their meeting in 1966 as an artist influenced by the Dada movement. Long before Warhol’s seminal Factory, Ono was hosting creative events with avant-garde composer, LaMonte Young. Arts cognoscenti such as Peggy Guggenheim and Marcel Duchamp attended. Ono is closely linked with the Fluxus group – and was invited to join – but her ambitions for independence resulted in her declining.
After their infamous ‘Bed-in’ where Ono and Lennon celebrated their marriage by staging a week-long peace protest in the Amsterdam Hilton, Ono’s humanitarian interests came to the fore of public awareness.
Ono continues to be a source of inspiration and fascination in several creative fields. Music, in particular. At the Paradise Garage, one song, “Walking on Thin Ice” – her final recording with Lennon before he was murdered – took on cult status during the mid-80s. DJ and producer Danny Tenaglia recalls the time he remixed the track and Ono appeared at his club to sing over his mix.
Similarly, it doesn’t seem too much of a stretch to suggest that Ono’s work, with its emphasis on questioning conventions would have influenced fashion designers such as Rei Kawakubo and Martin Margiela. Both forged their early careers from challenging the norms.
Yoko Ono – Music of the Mind is at Tate Modern, London until 1st September.
Paul Davies for CNTRFLD.ART
CREDITS:
小野 洋子 born February 18, 1933 is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking
2. Yoko Ono with Half-A-Room 1967. Photo © Clay Perry
3. Yoko Ono with Glass Hammer 1967. Photo © Clay Perry / Artwork © Yoko Ono
4. Yoko Ono with her Painting to See in the Dark (Version 1), 1961.Photo © George Maciunas
8. Yoko Ono performs Cut Piece 1964. Photo © Minoru
All other photos by CNTRFLD.ART
Illustration by Maria Chen, Inspired by original photo Bob Gruen. Yoko Ono, NYC, 1973.